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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
攻克柏林
Mikheil Chiaureli是斯大林的御用导演,《攻克柏林》长达近五个小时,分上下两部,处处着重突出最高统帅的高瞻远瞩。影片结尾,斯大林乘飞机抵达陷落的柏林,接受苏军的欢呼。其实这是“艺术虚构”。和《斯大林格勒战役》一样,这场实际主要由朱可夫将军指挥的战役,影片中丝毫没有他的影子。当时朱可夫已经因为功高震主,被罗织罪名,发配到乌拉尔军区去了,这是1946年的事。这部1949年的电影很自然地就将朱可夫的功劳“艺术虚构”到伟大领袖的头上了。 因为这部影片,导演连续获得了两次国家奖金,包括1950年的斯大林奖金。中国观众熟悉的《难忘的1919》(1952)也是出自这位导演的手笔。值得一提的是,这两部影片都是由苏联作曲家肖斯塔科维奇谱曲的。
狄仁杰之彼岸奇花
狄武周天授元年,岭南潞州城司马孔成业迷恋修道炼丹,传闻找到了长生不老丹的药方,只缺一味名叫彼岸花的奇草。传言这是来自地狱的死亡之花,常年生长在坟冢幽谷之中,能致人产生幻觉,中幻觉者如妖邪附体般,发狂发癫,死状凄惨。 孔成业发出悬赏,采到彼岸花者,赏百金。山民猎户等纷纷进山寻找,连孔成业也带人到处扒坟冢、探幽谷。忙活的孔成业突然惨死,死前发狂。连他的几名参军也死相极惨,都说孔成业采到了彼岸花,被妖邪附身杀死,闹得满城风雨。潞州刺史陆英杰上报朝廷,恰逢狄仁杰巡查岭南诸州,女皇武则天命其前往潞州,全权调查此案.。